Τεχνών (επ)ανάστασις στην Κέρκυρα
Η «Τεχνών (επ)ανάστασις» είναι ένα δρώμενο δημιουργίας πολιτισμού. Η ταυτότητά του δεν χαρακτηρίζεται από την περιθωριοποίηση και την χωριστικότητα, αλλά από την ενωτική δύναμη των τεχνών.
ΕΚΘΕΣΗ: Η Πόλη-Μητρόπολη Μοναχικά Γιορτάζει
Γυαλιστερά φωτάκια, πρασινοκόκκινα ξωτικά και χιονονιφάδες γεμίζουν σιγά σιγά την καθημερινότητα σε μια προσπάθεια εξορκισμού της παγωνιάς – σύμφωνα με κάποιους, ενώ για άλλους οι Χριστουγεννιάτικοι εορτασμοί και τα στολισμένα μπαλκόνια φέρνουν μόνο μελαγχολία,...
For Beauty and the Spirit in Art: 1st Neo-Symbolist Salon, Madrid 2013
Underground “artists of the soul” gather in Madrid this winter to revive the visual language of the fin-de-siecle in a new counter-culture of Beauty.
Making the invisible visible: The Peladan Project (2013)
I have a number of strings to my bow as many visitors will be aware. Until recently, my main occupation at this time is was my PhD research on French author Joséphin Péladan. I maintain a separate website featuring updates from my research and more academic pieces...
Early work 2000-2013
Splendor Solis plate VIII. 2009. Private collection. The Artist and the Mirror (2004) New Year’s Night 2003. Oil on canvas. Private collection. The Dancer (2003). Private collection. Broken angel (2001). Oil on paper. Available for sale. Grace of the fallen 2,...
Review: A More Beautiful Question: The Spiritual in Art and Poetry
Published in ARIES 13:2 (2013) Hughes, Glenn, A More Beautiful Question: The Spiritual in Art and Poetry Columbia & London, University of Missouri Press 2011. 184 pages. Hardback. ISBN 978-0-8262-1917-6. Download (PDF, 994KB)...
Research article: Mages and Fairies: J. Péladan’s Initiation for the Masses
Published in Pomegranate International Journal of Pagan Studies 2012:...
Research article: Renaissance Hieroglyphs of Nature (2011)
Using Maier’s work as a case study, this paper outlines the significance that the understanding of Nature held for Renaissance humanists in their search for a philosophia perennis, tracing the elaborate interconnections between this ’emblematic worldview,’ and Renaissance art, philosophical, and religious thought.
Article: Symbolist Art and the French Occult Revival (2011)
Usually consigned to a footnote or a few lines in scholarly overviews of Rosicrucianism or the French occult revival, as a historical figure Péladan’s defining characteristic is that of contradiction and paradox.
The Péladan Project
Sasha’s doctoral research diary.
Review: Satanism, Magic, and Mysticism in Fin-de-siecle France
ΝΒ. As this review is now widely quoted around the internet, would readers and those linking here please do me the courtesy of not misrepresenting me. I am neither a “Peladan fan-girl,” (seen on Goodreads), nor an aficionado of the “Western Mystery...New book: Atalanta Unveiled
